From the monthly archives:

October 2004

Europa, Rosebank Mall

by Roy Blumenthal on October 31, 2004

Sunday, October 31, 2004

Service: * * * *

Food: * * * *

Ambience: * * *

Babe Count: * * * *

Damon’s back from his unbelievably long shoot in Richards Bay. He was a featured extra in a British mini-series. Got paid obscene amounts of money, and didn’t really have to learn too many lines. All he had to do was make sure his side-burns remained intact over the entire period.

“Great that you’re back!” I say.

Europa in Rosebank is a reliable place to thwart the hunger-shakes I’ve got. I haven’t eaten anything except a few pieces of handmade English toffee since breakfast. That’s because I’ve been battling time all day to get my artworks moved into the Craft Market I’m now part of. I’ve been framing my prints since Friday night.

But the really hard work was coming up with a coding system so that I can track sales of individual prints. Not an easy task, seeing as the till system they use at the Market only allows me three alpha numeric symbols to work with.

I’ve opted for an all-alpha system, which gives me around 20 000 unique codes. And I had to generate the damn codes manually. Excel doesn’t have a function that will automatically increment AAA to AAB to AAC all the way up to ZZZ. (Yes, in excess of 20 000 of these.)

And then making a stock list so that they can enter my codes into their computer.

I tell Damon about my satisfaction about getting my art out into the world.

“And work?” he asks.

My directing gig. “It’s turning into a very very hardcore gig very very quickly. We’re a bit under-resourced. I’ve had to campaign really hard to get us a logger to come on shoots with us.”

A logger is an essential piece of equipment. It’s a person with a brain who writes down the tape number, and the timecode on the tape for every significant bit of action. Ideally, the logger also writes the first few words of each concept associated with those bits of action. So, a logger’s output might look like this: “00:21:13:00 — Marc: How would you say open source has benefited your company?” Followed by “00:21: 36:00 — Heather: Well, it’s all free, isn’t it?”

The reason the logger is essential is that editing becomes a fairly straightforward affair. Right now, I have to search through tens of hours of tape to find shots that are by now only a distant memory. This adds dozens of hours to a one-week editing schedule.

We’re now WAY behind in editing. (It was my week in the edit suite. Tomorrow I start shooting again for a week. 8:15 call time. Too early for my nervous system, really. But hey.)

Damon just nods sagely. He’s totally familiar with everything I’m talking about, being a seasoned veteran himself.

In production, unless there are literally bucket-loads of money, everything is ALWAYS under-resourced. In our case, our wonderful production person, Ronelle, has managed to get us two students to work for free. Yay!!!! One will be coming on the shoot with me, and the other will be logging the backlog of tapes in the office.

My Tra Firenze appears just as Damon has to go. He’s helping Wendy set up her sound system tonight. She’s performing for her sister’s birthday party. The tramezzini is delicious. Mince with peppers. Delicious. Hits the spot.

“Before I go,” says Damon, “how’s the relationship scene?”

“Well, as you know, Karen and I have broken up. But we’re still seeing each other for sex.”

“Oh man, Roy,” says Damon. “That’s so wrong! How do you get away with it??? How on earth did you manage to wangle that???”

“There are advantages to being a good dom,” I say.

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Cool Runnings, Melville

by Roy Blumenthal on October 27, 2004

Wednesday, October 27, 2004

Service: N/A

Food: N/A

Ambience: * * *

Babe Count: * * * 1/2

We’re in the dungeon at Cool Runnings. Yes. It’s ACTUALLY called the dungeon. Which is appropriate, cos this is the monthly meeting of a bondage and discipline group. It used to take place at Merlin’s Pub a block and a half up the road, but that place is being sold, so Burning Lash, our alpha dom, has negotiated a new space.

Tonight’s topic is tattooing. Shani is the guest speaker, and she’s set up a computer showing some of her proudest tats.

I’m here with Karen. Yes, it’s true that we’re no longer a couple. But we’ve agreed that we’ll be seeing each other “extramurally”. And it’s working very nicely. Now that we’re not doing coupledom, there’s no pressure to fall in love or anything mushy. Which makes things very pleasant. Especially when she’s on my bed and I bring out the chains. Chains are our friend. We love chains.

The talk starts, and Shani is clearly heavily passionate about tattooing. “People ALWAYS ask me, ‘Does it hurt?’ And I always tell them, ‘HELLLLLL YESSSSSS!’ But then I also tell them that it’s a good pain.”

Several of the submissives in the audience start giggling, and their doms give them affectionate pats on the head. I give Karen an affectionate hard tug on the hair. “Hmmmmm!” she says.

When question and answer time comes up, one of the doms asks, “What’s the MOST painful place to tattoo someone?”

Shani points to the top of her head. “That’s bad,” she says. “But a lot of people say the base of the spine is really hectic.”

“Ah, cool,” says the dom. “Base of the spine it is then!”

I say, “Is there any way to make the tattoo hurt even more?”

Shani just rolls her eyes at me.

Just then, there’s a weird drunken chuckle from the back of the room. It’s in shadows, so it takes a while to notice that we’ve got visitors. A trio of very smoked-up rasta guys. They’ve slipped in through the back door, and they’re now getting heavily entertained by these odd people. My bum is lifting off my chair to help get rid of them when Burning Lash steps up to the plate.

“This is a private function, I’m afraid,” he says. And it’s clear he’s afraid of nothing. “So you guys must leave.”

One of them says, feebly, “Oh, sorry, man, hey, like, we didn’t, like, know, hey? Cool brother? One love.” And they leave.

Shani tells us about ultra-violet tattoo ink. “Invisible under normal light,” she says, “but amazing under ultra-violet light. A bitch to work with though, cos you’ve got to do the tattoo in the dark.”

Burning Lash exclaims, “Bar codes!!!” Several of the doms echo him. From his enthusiasm, and from his rushing up to Shani at the end to get her business cards, it’s very clear that his slave may very well have his ownership barcode drilled into her skull sometime very soon.

While we’re milling around, someone whips out a handmade flogger. It’s basically a stick with a dozen or so light leather thongs attached to it. A bit like a cat o’ nine tails, but without the embedded bits of lead. Buring Lash orders his slave to bend over, and he gives it a test. It swishes like a martial arts move, and connects like twenty thunderclaps.

I’ve never used one before, so I’m curious. I watch his technique, and when he’s finished, I ask if I can try it. He hands it to me, and Karen bends over without needing to be ordered. I give her a couple of hard strokes, and find it a little bit puny. “How was that?” I ask her.

“Very light. But you got me warmed up a bit there at the end.”

She’s spending the night at my place tonight. Looks like we’re both a bit warmed up.

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Pizza Pronto, Sandton

by Roy Blumenthal on October 25, 2004

Monday, October 25, 2004

Service: *

Food: *

Ambience: * * 1/2

Babe Count: * * *

Tonight I’m doing battle against the mighty Tony Lelliot.

“What are you doing for coffee now that your Ethiopian supply has dried up?” I ask. Tony’s a coffee aficionado, and a buddy of his was based in Ethiopia for a while.

“Oh, I just buy stuff at ridiculously high prices,” he says.

We set up the backgammon board, and I start pounding him with heavy artillery. I take a convincing lead early on, and it looks like tonight’s gonna be a cinch for me. I spot an opportunity to shed some blood. Tony’s blood. I offer him the cube. He takes. A few quick blows later and he’s got five blots on the bar! That’s FIVE! Count ‘em!!! Viva! I smash him down, and beat him not with a gammon (which is a double game), but by a backgammon — a triple game. That’s six points.

This is Adeline, my buddy Charl's girlfriend. They've actually agreed to get married to each other after several years of blissful cohabitation.“Hey, Peter!” I shout. “Do you want my ten bucks now?” Anyone who beats someone by a backgammon in our club has to pay ten rand into a kitty. At the end of the year, all of the winners in the kitty draw to win the full amount. Winning a triple game is non-trivial. It takes balls of steel and a certain amount of foolish play to pull it off.

I’m gloating deluxe when suddenly Tony sits back in his chair, concentrates, then rubs his fingers up and down his moustache. “Right,” he says, and starts flinging dice across the board. Suddenly my 14–4 lead starts narrowing. Suddenly we’re at 16–15 to me. I stay just ahead, but Tony’s playing fearsome backgammon.

My phone rings. It’s an international call. “Tony, do you mind if I take this?”

“No problem,” he says, and rubs his moustache again.

“Hi,” I say to the phone, “this is Roy.”

“Hi, Roy,” says an American voice on the other end of the line. It’s one of the people we’re interviewing for Go_Open, the tv show I’m co-directing. He chuckles, “Are you deposing me?”

I’m a bit baffled, but I assume he’s being playful, so I laugh with him and ask him what he means.

“Well,” he says, “the video link-up centre you’re asking me to go to? Well, it’s a deposition centre, and I can’t go to a deposition centre. It’s just not possible for me.”

I have no idea what he’s talking about. A deposition centre??? This is so weird. “Uh…” I say, “I’m not sure why that’s a bad thing.”

“Well, how do I know you guys aren’t working for S.C.O.?”

The way I hear him, over a muffled international cellphone connection, I hear some weird US government agency acronym. What he’s ACTUALLY referring to is a company that’s systematically suing huge corporations who use Linux, claiming that Linux has a piece of code in its kernel that they own, and that they want royalties from. So because I mis-hear him, I make a complete fool of myself by saying, “Working for S.C.O.? I don’t even know what that IS?”

“You don’t know what S.C.O. is???” he says. “You’re doing a show on open source! I think you’d better do your research.”

Oh man. This conversation is tanking fast.

He says, “Well, whatever, how do I know you’re not working for them?”

I’ve twigged by this point what he’s talking about, but there’s no graceful way out.

I tell him that we’ve done a video link-up with Richard Stallman.

“Did Richard Stallman go down to a deposition centre for his link?” he asks. “I don’t think so.”

I explain how this video conferencing thing works. “There’s a South African video conferencing company we outsource to,” I say, “and they find a venue closest to the person we’re interviewing. We have no idea what type of facility it is. I has no idea that we were sending you to a deposition centre.” (And frankly, even if I’d known, I wouldn’t have guessed in a million years that it would be quite such a hectic place to go to.)

“Yeah, yeah,” he says. “Anything can be explained away.”

This guy genuinely thinks that some two-bit television production company in South Africa is trying to trap him into saying something on camera that could ruin his career. I dunno. If I WERE working for some major conspiracy, I’m sure I would know my mark a bit better, and I’m absolutely certain I wouldn’t have attempted to get him to do his video conference link-up in a place that would scare him. If I were a conspiracy dude, I’d probably try and lull him somehow. Sheesh. I dunno.

“Well,” I say, “how do we get around this?”

“Well,” he says, “why don’t we just use the video link-up system at my office?”

WHAT??? This is just not believable. Who has a video link-up facility in their own goddamn office??? If we’d known this from the beginning, there’d have been no problems at all.

I end the conversation by letting him know that he won’t be forced to do the link-up at the deposition centre, that our researcher will send him the list of questions we intend asking, and that our production manager will sort out how to do the link-up at his office.

I go back to the backgammon board.

My supper has finally arrived. I ordered the tuna salad. This is simply one of the worst salads I’ve encountered. It’s basically dollops of mayo with about a third of a tin of tuna splayed over it, on a bed of lettuce, with some cherry tomatoes and onion. Ugh!

Tony plays like an S.C.O. agent… aggressively, mercilessly, and with vast amounts of money backing him. He beats me 21–20.

I guess I’d better wake up and smell his Ethiopian coffee.

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Lonely Oaks Lodge, Polokwane (was Pietersberg)

October 18, 2004

Monday, October 18, 2004
Service: * * * *
Food: * * * *
Ambience: * * 1/2
Babe Count: * * * * *
Brand has decided not to eat. “Not hungry,” he says. “I’ll see you guys in the morning.” It’s about eight o’clock, and even [...]

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Monate Rest Camp, Polokwane (was Pietersberg)

October 17, 2004

Sunday, October 17, 2004
Service: * *
Food: * *
Ambience: *
Babe Count: * * * * *
I’m in Limpopo province. Brand is our camera person. He’s camping in the lounge, due to privacy issues. He needs his space. Rhameez is our sound dude, and second unit camera bloke [...]

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Pizza Pronto, Sandton

October 11, 2004

Monday, October 11, 2004
Service: * *
Food: * * *
Ambience: * * *
Babe Count: * * *
Okay. I understand something now.
I’ve been playing Harold tonight, and we’ve been neck on neck. But I’ve been at somewhat of a [...]

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Ocean Basket, Menlyn Park Valuemart, Pretoria

October 9, 2004

Saturday, October 09, 2004
Service: * * *
Food: * * *
Ambience: * * *
Babe Count: * * *
Karen and I are in Pretoria because I’ve decided to actually do something with my art. Thanks to encouragement from Karen, I’ve approached The Crafters [...]

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Missing Link, Northriding

October 7, 2004

Thursday, October 07, 2004
Service: * * * * *
Food: * * * * *
Ambience: * * * * *
Babe Count: * * * * *
Firstly, the babe count. Three babes, one in an office, another at the bank of computers. The third is a little scale model of a porn star, with real nipples and [...]

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Pizza Pronto, Sandton

October 4, 2004

Monday, October 04, 2004
Service: * *
Food: N/A
Ambience: * * *
Babe Count: * * *
I’m playing Barry. And boy, is he suffering. In fact, his misery is more abject than Sophia’s was last week. This is my second match in the new cycle, and it looks like I’ll be winning two in a [...]

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Ububele, Kew

October 2, 2004

Saturday, October 02, 2004
Service: * * *
Food: * * * * *
Ambience: * * *
Babe Count: * * * *
Karen and I are at a do in honour of Lionel Abrahams. He was my friend and writing mentor, and he died recently. I didn’t go to [...]

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