From the monthly archives:

June 2004

Mike’s Kitchen, Parktown

by Roy Blumenthal on June 29, 2004

Tuesday, June 29, 2004

Service: * * 1/2

Food: * *

Ambience: * * 1/2

Babe Count: *

I’ve ordered the linefish of the day. Yellowtail. With rice. Oddly enough, so has Lionel Murcott. As has Roger Ballen.

We’ve all got notepads and pens in front of us, and we’re scribbling away furiously as ideas come to us.

Roger Ballen is the renowned photographer responsible for the notorious book, PLATTELAND. It’s notorious because it shows photos of inbred mutants, and a whole bunch of people have taken exception to these photos, accusing Roger of exploiting them.

It’s not easy making a judgement call about this subject. Least of all by me. (Seeing as one or two people have already accused me of being exploitative in my depictions of the people I come across on this website.) But for my money, Roger’s making high art, and the fact that people freak out about it is an indication of the power of his material.

We’ve just arrived at the restaurant after looking through a wad of new photographs Roger’s been working on for the past two or so years. He’s bringing out a new book, and the three of us are brainstorming a name for it.

His work has progressed over the years. He started off showing exteriors, weird worlds with no people in them. Then he went inside the homes of these people, and showed them in all their gory detail. Mutants. Hectic people, barely human, but exuding a warped and real humanity. Now he’s looking at the traces these people leave on the walls of their rooms. The people are almost entirely absent from many of the photos. In one or two of them, you’ll see the fingers curled up over the edge of a table while the person hides beneath. All you can see are the gnarled fingers. And that’s only if you look hard, cos you’ll probably be seeing the pigeon chained to the table, and the weird, naive artworks scribbled on the walls.

The food comes just as we hit a brick wall.

We eat. Lionel and Roger enjoy their fish, eating every last morsel on the plate. My fish tastes like it came out of a slime dam. It’s inedible. I take three mouthfuls, then turn in despair to the rice. There’s just enough of that to cover the edge of my hunger, and I’ve got some Woolworth’s pre-prepared meals in my freezer now, so I can eat when I get home.

I can’t reveal the name of the book, but we cracked it. It’s one of those one-word titles that cracks you between the eyes when you see it, capturing the world Roger has sealed in his camera. As soon as Roger mumbles the word, Lionel and I jolt upright.

“That’s the one!” I say.

“That’s it!” says Lionel.

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Piatto Mediterranean Kitchen, Cresta

by Roy Blumenthal on June 27, 2004

Sunday, June 27, 2004

Service: * * *

Food: * * *

Ambience: * * *

Babe Count: * * * *
*

Phone: +27 11 478 1161

Oooooooooooooo! There’s a blonde, early thirties, long long hair, thrilling smile, sitting across from me. She’s with an old dude, in his mid or late seventies. Father? Sugar daddy?

I’ve just GOT to draw her.

Zap out the palmtop, and start sketching. She notices me almost immediately, which is really rare. Most people are oblivious.

It’s not exactly obvious what I’m doing, since most people haven’t experienced a dude in a beret staring at them for long seconds then glancing down at an electronic gizmo in his hand then scratching at the screen with a stylus. Most people wouldn’t have a clue they’re being drawn. In fact, it’s a pretty good bet they’d think the dude in the beret was a psycho and ought to be put down. The way a vet puts things down.

The blonde with no name. Oh, if only I'd asked. Sigh. Double sigh.So I make an executive decision. Once I’ve drawn the black layer of the picture, I turn the palmtop towards her, and show her. She looks at the screen, does a double take, looks in my eyes, then back at the screen. A broad smile.

My trout arrives. But I ignore it. I’m intent on getting all the colour done before I eat.

It must be really difficult for her, cos she keeps blushing whenever I stare for longer than ten seconds. The reason I’m looking for such long periods of time is that since I’ve gone for this Egon Schiele style of colouring, I’m really looking hard to see beyond the obvious. Skin isn’t merely pink. It’s got all sorts of other colours in it.

I finish, and turn the screen to her again. She looks for a long time, nods, smiles. Looks at the old guy.

I eat my trout. I’m halfway through when she gets up to leave with the old guy.

I pick up my palmtop, and cock an eyebrow at her. She steps up to me, and I turn it on.

“That’s beautiful,” she says.

And here’s Mister Suave sitting here, Roy Blumenthal, the dude who reckons he has no problems with seduction. And he’s completely tongue tied.

I literally don’t know what to say. “Thanks,” I manage. I SHOULD have said, “That’s because YOU’re beautiful. And I’d love to get your email address, so I can send it to you. And I’ll print a copy out, and I can give it to you over coffee.” Instead, all I gargle is, “Thanks.”

She says, “See you around then?”

“Yeah,” I say. “Uh… have a happy night.” Aaaaargh!!!! What’s wrong with me??? SHOULD have said, “I’d love to see you around. Shall we have coffee?”

She walks away. And how the hell am I ever going to see her again??? Eish.

This is something I’ve noticed in myself. If I feel attracted to someone in a non-trivial sorta way, I find it quite hard to make a move. This is exactly how it was with Jacqui. We were attracted to each other for at least three years before we made moves on each other. Ugh! And here’s this blonde woman who could really be out of a dream catalogue of Babes-Made-For-Roy. And I don’t even know her name!

Ah well. I’m seeing the third Harry Potter movie tonight. Maybe magic will happen.

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Mugg & Bean, Rosebank

by Roy Blumenthal on June 26, 2004

Saturday, June 26, 2004

Service: * * *

Food: * * *

Ambience: * * *

Babe Count: * * * *

Phone: +27 11 880 5050

I’ve opted not to do the trance dance tonight. For the benefit of the beginners in the group, Chantal has decided to allow people not to wear blindfolds if they choose. So I’m not keen. For me, the sacred space created by the blindfolds is why I feel able to do my vision questing. It’s a pity, cos Jacqui is dancing tonight, and it was really lovely seeing her before, and chatting.

But it’s cool, cos there’ll be other dances, when the blindfolds will be in place, and that’ll be my time.

Right now, I’m in a fairly bizarre space. I’ve been thrust by the universe into the position of urban shaman, something that I am, but seldom practise in any formal way. Tonight, it’s formal. I’m the Lurvv Doctor tonight.

One of the books I ended up buying on the Exclusive Books sale is THE BOOK OF LOVE ANSWERS by Carol Bolt. It’s been on my table since I pulled my sketching equipment out of my bag.

One of the waiters spots it. “What’s this all about?” he asks.

When two people are absorbed in conversation, they almost never notice that I'm drawing them. In this case, I had about twelve waiters all huddled behind me, watching as I drew, all of them pointing and laughing and commenting. And STILL she and her boyfriend didn't notice a thing. Brilliant.“Think of a question about love, then open the book anywhere at random for a solution,” I say. I’m busy drawing a beauty sitting three tables away. She’s with a dude, and they’re fascinated by each other, so she hasn’t noticed me scratching away at my palmtop.

The waiter takes the book, asks a question, opens it. “Wow,” he says. “Can I try again?”

“Go for it,” I say.

He takes the book away and stands near the wall. I see him opening it, smiling, closing, thinking, opening, frowning, thinking, opening again, smiling. he comes back after a good ten minutes. “Wow,” he says. “Excellent.”

Another waiter comes and touches the book. It’s got a red, felt cover, so it’s very sumptuous. “Can I try?” says Evans.

“Sure,” I say.

“But you must open it for me,” he says.

“Okay,” I say. “Have you got a question?”

“Is my girlfriend cheating on me?” he says.

I open the book at random. Each page only has one sentence on it. Something enigmatic, provocative. The line I arrive at says, ‘It’s not what you think.’

“The book says this,” I say. “And my interpretation is that maybe there’s something in you that’s making you suspicious of her. What makes you think she’s cheating?”

We talk and talk and talk, and I ask a good few questions, trying to get clarity. My sense is that he’s feeling insecure about himself, and that he’s putting that onto her. He keeps asking for more of the book, and each answer is more provocative than the next.

It’s a twenty-minute conversation, with him standing beside me, my neck craning round so I can make eye contact with him every now and again. In these situations, eye contact isn’t always good, cos it’s fairly intimidating. And I’ve got very piercing eyes, so that can be disconcerting all on its own. But sometimes it’s important to see someone’s eyes. I want to see if I’m touching home base with this dude. I want to know that I’m on the right track.

At the end of it, he says, “This book is very good. But it’s grinding me. This book is grinding me, hey?”

“Well, it’s saying that there are things inside yourself that you need to look at.”

“Thanks,” he says.

Lebo is next in line. “Can I try?” he says. “But you must open for me also.”

“What’s your question?” I say.

“Well, I’ve been seeing this girl for three months, and she wants me to move in with her. Does she really love me? Must I move in with her?”

I open the book. ‘Express yourself,’ it says.

“Lebo,” I say, “it seems to me that maybe you don’t have enough information to make any decisions. You’re having some kind of doubts. Are you guys communicating?”

He looks like someone’s rammed a syringe into his heart, like John Travolta nailing Uma Thurman in PULP FICTION.

This chat’s also twenty minutes. It ends with Lebo saying, “Eish, thank you, my broer. I’ve got some work to do with myself. This book is amazing. Amazing. An amazing thing. I’m going to do this work with myself. Thank you.”

Phshew. That’s vastly cool for me. I’ve contributed to the lives of two dudes tonight.

I think about Jacqui, and open the book. ‘Be ready.’

And two minutes later my phone beeps me with an sms. It’s Jacqui. She’s finished the trance dance, and wants me to know that it was great that I was there in the beginning, and that she hopes I wasn’t too disappointed that I didn’t dance. She tells me that it was a brilliant dance for her. I sms her to tell her that I’ve just had these two counselling sessions. She smss me back to say that I’m the Lurvv Doctor.

Well, I’m ready, dammit.

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Seattle Coffee Co, Hyde Park

June 25, 2004

Friday, June 25, 2004
Service: * * *
Food: * * *
Ambience: * * * *
Babe Count: * * * * *
Mandy and I meet over lunchtime for a fantastically expensive sandwich and some [...]

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Spaza Gallery, Troyeville

June 24, 2004

Thursday, June 24, 2004
Service: * * *
Food: * * * *
Ambience: * * *
Babe Count: * * * *
Drew Lindsay, owner of the Spaza Gallery, organises his Sunday lunch chefs to make [...]

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House of Coffees, Park Meadows, Bedfordview

June 24, 2004

Thursday, June 24, 2004
Service: * * * *
Food: * * *
Ambience: * *
Babe Count: * * 1/2
Phone: +27 11 622 3869
I’m in this part of the world cos I’m going to the portrait circle [...]

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Mugg & Bean, Sandton City

June 23, 2004

Wednesday, June 23, 2004
Service: * * * 1/2
Food: N/A
Ambience: * * *
Babe Count: * * *
Phone: +27 11 883 4913
Not much is open after the play. It’s not TOO [...]

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Ghirardellis, Nelson Mandela Square, Sandton

June 23, 2004

Wednesday, June 23, 2004
Service: * *
Food: * * 1/2
Ambience: * * *
Babe Count: * * * *
Phone: +27 11 784 2375
Bianca has called me to say, “Hey Roy, I’ve got free tickets from my agent [...]

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De La Creme Patisserie, Melville

June 23, 2004

Wednesday, June 23, 2004
Service: * * * 1/2
Food: * * * * *
Ambience: * * * 1/2
Babe Count: * * *
I’m fractionally earlier than Jan for our 4pm meeting in De La Creme. [...]

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Sophia’s, Rosebank

June 22, 2004

Tuesday, June 22, 2004
Service: * * *
Food: * * * * *
Ambience: * * *
Babe Count: * *
Phone: +27 11 880 7356
I meet Ian Henderson in the Rosebank Mall.
“You [...]

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